Review – An Enemy of the People – Nottingham Playhouse

This review by Emily Holyoake was originally published by Exeunt Magazine on 20 September 2019.

In Nottingham Playhouse’s An Enemy of the People, Dr Stockmann asserts that she has truth on her side. I think about that well-worn catchphrase of right-wing online commentators: facts don’t care about your feelings.

Of course, when the so-called sceptics of the internet say it, they’re claiming that the facts are objective, and the truth doesn’t change just because there’s something at stake for an individual or a community. But in Rebecca Lenkiewicz’s new version of Ibsen’s An Enemy of the People, the truth – that the water flowing through the baths of a spa town is poisoned – is secondary to how people feel about it.

Played by Alex Kingston, Dr Stockmann believes that her proven report about the baths will be welcomed, and that she will be praised for averting a catastrophe. But her brother, the mayor (Malcolm Sinclair), tells her instead that a complete overhaul of the water supply is impossible, that it will cripple the town’s economy, and that he believes it’s unnecessary anyway. When Stockmann stands by her report, the mayor paints her as a fantasist and a traitor, and turns the town against her.

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The Party Somewhere Else

This feature by Emily Holyoake was originally published by Exeunt Magazine on 14 March 2018.



The Party Somewhere Else are a Nottingham-based collective of maverick female creatives who have just launched 
festival at Nottingham Playhouse. The group came together in early 2017 and hosted a sell-out scratch night that July, followed by a packed Open House/Open Mic in January 2018. The upcoming festival is set to be a playfully anarchic takeover of Nottingham Playhouse’s smaller upstairs spaces, and will showcase both regional and national artists, all performing work which centres the creative agency of women.

I meet with just over half of The Party Somewhere Else over two separate sessions, a couple of weeks before the festival beginsThere are 12 current members of the collective: Beth Shouler, Eleanor Field, Hannah Stone, Kate Webborn, Kath Akers, Minder Athwal, Nikki Disney, Olwen Davies, Rebecca D’Souza, Ria Ashcroft,Siobhán Cannon-Brownlie, and Tilly Branson. They cover a lot of bases, a team of producers, directors, actors, writers, designers, facilitators, and dramatherapists. It’s a group brought together by a shared frustration at the lack of representation for women, onstage and backstage.

“We were having conversations in twos and threes, and had been for about six months,” says Beth Shouler, a director and writer who has recently taken on the role of Artist Development Co-ordinator at Nottingham Playhouse. “And then we were like – you know what, we could just get together and have one conversation.”

Siobhán Cannon-Brownlie, a director and theatre-maker, says, “The Party Somewhere Else has grown out of us saying ‘this is missing’ in the theatre ecology here in Nottingham, let’s do something about that, and we’ll just do it ourselves cause we’re the ones who can.”

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