This review by Emily Holyoake was originally published by Exeunt Magazine on 20 September 2019.
In Nottingham Playhouse’s An Enemy of the People, Dr Stockmann asserts that she has truth on her side. I think about that well-worn catchphrase of right-wing online commentators: facts don’t care about your feelings.
Of course, when the so-called sceptics of the internet say it, they’re claiming that the facts are objective, and the truth doesn’t change just because there’s something at stake for an individual or a community. But in Rebecca Lenkiewicz’s new version of Ibsen’s An Enemy of the People, the truth – that the water flowing through the baths of a spa town is poisoned – is secondary to how people feel about it.
Played by Alex Kingston, Dr Stockmann believes that her proven report about the baths will be welcomed, and that she will be praised for averting a catastrophe. But her brother, the mayor (Malcolm Sinclair), tells her instead that a complete overhaul of the water supply is impossible, that it will cripple the town’s economy, and that he believes it’s unnecessary anyway. When Stockmann stands by her report, the mayor paints her as a fantasist and a traitor, and turns the town against her.