Review – Humbug! – Wandering Tiger

This review by Emily Holyoake was originally published at Exeunt Magazine on 19 December 2017.

HUMBUG! by Wandering Tiger
Performed at St Nicholas Priory, Exeter

Performed by: Charlie Coldfield, Richard Feltham, Benjamin Akira Tallamy
Written and directed by: Luke Jeffrey
Magical Consultant: Peter Clifford
Costume Assistant/Designer: Anna Palma Balint

It’s a mark of how deeply ingrained the Muppets’ version is that if you mention A Christmas Carol to me, I’ll think about how Gonzo is here to tell the story (and Rizzo is here for the food). Wandering Tiger’s Humbug!, written and directed by Luke Jeffrey, is another in a long line of adaptations that takes creative license with the plot of Dickens’ ghost story. Most of the main beats are there, but adapted for a promenade production and for a cast of three, with Charlie Coldfield as Scrooge, and Richard Feltham and Benjamin Akira Tallamy as pretty much everyone else.

Coldfield is a grouchy yet earnest Scrooge, who sticks with the Michael Caine school of playing the straight man in an otherwise comic re-telling. But whilst Humbug! talks him up as the main concern of the plot, it often doesn’t feel like his story, and Coldfield isn’t given much space to really get going with the role. Instead, the show is absolutely stolen by Feltham and Tallamy and their charismatic, comic takes on the other characters. Tallamy in particular has a flair for improvisation and self-deprecating audience interaction, and his witty, idiosyncratic take on the Ghost of Christmas Present feels genuinely different from previous interpretations of the character. The show also gains much of its warmth from Tallamy’s original Christmas songs, which are a welcome departure from traditional Victorian dirges.

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Review – Journey to the Impossible – Little Soldier Productions

This review by Emily Holyoake was originally published at Exeunt Magazine on 16 December 2017.

JOURNEY TO THE IMPOSSIBLE by Little Soldier Productions, presented by The Bike Shed Theatre

Performed by: Dan Armstrong, Lucy Bishop, Duncan Cameron
Directed by: Mercè Ribot and Patricia Rodríguez
Producer: Bridget Floyer, Larking Arts
Written by: Mercè Ribot and Patricia Rodríguez in collaboration with Matt Harvey
Design: Sophia Clist
Sound design: Dan Lees
Music composed by Dan Lees, with additional content by Joe Darke and the company
Lighting design: Seth Rook Williams

If you’re tired of fairytales, fables, and Dickens adaptations, Little Soldier Productions’ Journey to the Impossible is a fun and unusual December alternative. It’s 1982, and three young friends looking for adventure find themselves transported to another dimension, to the strange and dangerous city of Vernopolis. They quickly find themselves separated and in trouble, and must fight to find their way home again.

Journey to the Impossible leans heavily on nostalgia to get the audience on side, and it’s chock-full of references to 80’s music, film, and trends – probably more than this 90’s child noticed if I’m honest about it. But what hits me as truly nostalgic about this show is how strongly it reminds me of those imaginary games you made up with your best friends on the playground, with the kind of storyline that’s impossible to explain to an outsider but that your friends just get implicitly. Those games where you’re a hero version of yourself, but sometimes you get to play the baddie too.

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Review – ‘Dick Whittington’ – Exeter Northcott Theatre

This review by Emily Holyoake was originally published at Exeunt Magazine on 9 December 2017.

DICK WHITTINGTON by Tony Lidington and Steve Bennett
Produced by Exeter Northcott Theatre

Directed by: Tony Lidington
Performed by: Steve Bennett, Gordon Cooper, Emily Essery, Jeffrey Harmer, Jaz Franklin, Lotus Lowry, Martin Reeve, Owen Thomas, Annabel Warwick

During the interval of Exeter Northcott Theatre’s Dick Whittington, I realise the last pantomime I saw starred David Hasselhoff. The one before: John Barrowman. The one before that: also John Barrowman. (I will not apologise for still loving Torchwood. Fight me.)

But before that, the star of all my pantomime experiences was my grandad, Fred Comber, who wrote, directed, and played the baddie in every show, every year, in his small Devon village of Holcombe. These were the best pantomimes of my life and played a large part in making me believe theatre could be for everyone. And there’s something about Exeter Northcott Theatre’s Dick Whittington that brings that feeling back.

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